in order to apply the noise reduction effect in adobe audition, you must first define a:

Use your earphones while recording and give some to your guests as well if you can, just to hear if one of them is too far from his/her microphone or if a strange noise disturbs the session. Finally, record each participant on separate tracks. Depending on your microphone, consider using a windscreen or an anti-pop filter to protect it from plosives (“p”, “b” and “t” that send air in the cap). Use one microphone per speaker, with a stand or a tripod that would be high enough for the microphone to be in front of their mouths – you will then avoid the noises resulting from holding the microphone.

Go for 44.1 or 48 kHz sample rates (audible frequencies would be lost with lower sample rates) and for 24-bit deep audios (it is better for detail and dynamism). WAV format (not compressed) – you will end up with an mp3 indeed, but you’d rather have a high-quality file when mixing. Here are the life-changing pro tips of a composer, sound designer and sound engineer!Ī quality recording is key for a good final outcome, so get familiar with your device and find the right settings before you start.

You may wonder: what do the best editors do to get closer to perfection? In this article, Morgan, a sound specialist and the Studio Module founder, tries to provide you with an answer.

In order to apply the noise reduction effect in adobe audition, you must first define a: